Tips and Tricks for the New Slacker

There’s a lot you can do on the new Slacker. So much in fact, we wanted to share a handful of our favorite features.

What’s your favorite feature? Leave it in the comments!

Here are some of our favorites:

1. Share what you’re listening to. 

Click your name or email address at the top of the page to access your settings. Then click “sharing settings” to link your Twitter and/or Facebook accounts.

New Slacker Player Settings

Or if you’d rather pick and choose what you share, click the share icon!

New Slacker Share

 

2. Fine tune your station just the way you like.

Click on the fine tune button:

Fine Tune Button

  • Looking to discover new artists? Move the “Related Artists” dial right. Keep it to the far left to only include the artists you love.
  • Your Hearted songs will play more often the further you move the dial to the right.
  • Move the “Popular Songs” dial right to hear what songs are popular on Slacker.
  • Choose if you want to hear new or old songs. Don’t have a preference? Keep it in the middle.
  • Toggle our DJs on or get hourly updates from ABC News and ESPN.

Fine Tuning

 

3. Don’t know the lyric? We’ve got you covered. 

Click on the song name:

Click on Song Name Lyrics New Slacker

Voila! No excuses to screw up the lyrics anymore. (Full lyrics are only available for Slacker Radio Plus and Slacker Premium subscribers.) For more information and to see how you can get Radio Plus and Premium click here. 

Song Lyrics New Slacker

 

4. Get recommendations from our music experts.

Click the “Music Guide” for fun and easy music discovery.

Music Guide New Slacker

 

5. Find out what tracks are hot right now.

Also in the “Music Guide” section, you’ll find what’s hot on Slacker. Updated in real time!

New Slacker Hot Tracks Real Time

6. Looking for friend’s suggestions? We have that too! 

Scroll to the bottom of the “Music Guide” to see what your friends are listening to. Note: you must be connected via Facebook.

 New Slacker Friend Suggestions

 

We want to hear from you! Tell us your favorite features in the comments.

 

Slacker’s New Artist of the Week – The Strokes

Strokes Artist of the WeekWelcome back to Slacker’s Artist Of The Week. The Strokes are back in the game with their 5th album- called “Comedown Machine”, and while this record will still appeal to long-time Strokes fans, they are a long way from This Is It- and the band seems fully comfortable with that.

Led by the single All The Time, this album finds the band experimenting with synths, falsettos, and even songs that could only be categorized as easy listening.

The Strokes, consisting of Julian Casablancas (lead vocals), Nick Valensi (guitar, backing vocals), Albert Hammond, Jr. (guitar, backing vocals), Nikolai Fraiture (bass guitar) and Fabrizio Moretti (drums, percussion) are one of the many indie-rock bands to hail from the US at the dawn of the 21st century that helped solidify the garage rock revival movement. Their debut album, Is This It, was ranked number 199 on Rolling Stones 500 Greatest Albums of All Time.

On this weeks Artist of the Week station you’ll hear The Strokes- old and new- along with tracks from their side projects, collaborations, influences, and contemporaries. The Strokes are Slacker’s Artist Of The Week.

Meet us in Austin at SXSW!

Heading to SXSW? Hey, we are too! We’d love to see your lovely faces.

Plus, it’s your chance to see our shiny brand new Slacker truck.

[SlideDeck2 id=665]

Make sure to come by and say hello!

Where we’ll be at SXSW: 

90 Rainey Street, across from Clive Bar

Why you should come:

See you there! We’ll make it worth your while.

Trinidad James is Slacker’s New Artist of The Week.

This week we would like to introduce you to Atlanta rapper Trinidad James- he is Slacker’s Artist Of The Week. I had the chance to interview Trinidad James at the Grammys this year, and it was there that I realized how truly eccentric and unique he is. Check it out:

 

 

Trinidad James is one of the most charismatic and distinctive new artists in Hip Hop, and this may be due to his background in fashion. Prior to persuing his rap career, he managed a high-end boutique in Atlanta, and he’s got his own line- called “Gold Gang”.

To get an idea of how quickly things happened for Trinidad James: in July of last year, he released his very first mixtape- Don’t Be S.A.F.E. By November, he had a hit with the track “All Gold Everything”, and in January, he signed with Def Jam Records, who re-released his one mixtape as a proper album- that’s how strong his debut tracks are.

Even with so much success so quickly, Trinidad James has a lot of powerful rappers in his corner. In a recent interview, T.I. had this to say about the possibility of James being a one hit wonder-

“When Atlanta first came out, it made a huge impact on the scene, but it was thought to be something that was gonna be fly-by-night — here today gone tomorrow, and we withstood the test of time.” Trinidad is an example of that new generation of what’s next to come, because there’s still a lot of talent out here,” he said. “He’s gonna be one of the ones spearheading the charge to the future.”

On this station, you’ll hear tracks from Don’t Be S.A.F.E.-  “All Gold Everything”, “Females Welcomed”, and “Gold On My Macbook”. You’ll also hear tracks from his extended Atlanta family- artists like T.I., Young Jeezy, and 2 Chainz. You’ll hear his influences- like Jay-Z and Eazy-E, and we will also give you a look at his equally eccentric and creative counterparts in the new Hip-Hop scene, like LA’s Black Hippy crew, New York’s A$AP Mob, and Danny Brown.

 

Who Should Win the Oscar for Best in Original Song

Oscars 2013 Best Original Song Slacker

So here we are.  Deep in the heart of awards season, with the Academy getting ready to pass out their golden statuettes this weekend.

As Slacker’s (arguably) most pop-culture obsessed curator, I want to talk to you about this year’s Academy Award nominated songs (best original song), and who I think will (probably)(maybe)(most likely) win.

Let’s start at the top, alphabetically speaking:

“Before My Time” from “Chasing Ice”

Music and Lyric by J. Ralph

This song features Scarlett Johansson & Joshua Bell – the latter, in case you don’t recognize the name, is a grammy award winning violinist.  Scarlett sings this haunting track that plays over the credits of the documentary about climate change in Greenland, which was expected to earn a nomination for Best Documentary Feature, but was left off of that list.  The academy might want to throw it a bone in this category, but more likely this just wasn’t high profile enough to win this year.  You never know.  Could be a dark horse.

 

“Everybody Needs A Best Friend” from “Ted”

Music by Walter Murphy; Lyric by Seth MacFarlane

Can I be honest here and say that if Seth MacFarlane wins an oscar I’m probably going to boycott these awards for the rest of my life?  That being said, this is a sweet throwback to the 40’s sung by Norah Jones.  Despite the fact that he’s hosting this year, I just feel like the Academy knows better than to RECOGNIZE SETH MACFARLANE.  EVER.  Or I hope so, at least.

 

“Pi’s Lullaby” from “Life of Pi”

Music by Mychael Danna; Lyric by Bombay Jayashri

Everyone I know who read this book (including myself) got super excited about the movie, and then came out of it feeling… OK?  Not amazing, not entirely disappointed, just…  I think at that point we all finally recognized the challenges of making a story almost entirely set in a boat in the middle of the ocean interesting for 2 hours.  Anyway, this song is ok, but it’s nothing compared to the final contenders.

 

“Suddenly” from “Les Misérables”

Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Listen, nobody ever likes the new song added to these productions, especially one as tried and true as Les Mis.  I’ve been a fan of the musical since 8th grade and there’s no way this song was going to stir me in the way “I Dreamed A Dream” or “On My Own” would.  It’s not even exhilarating in the way “Do You Hear The People Sing” is.  But they had to nominate something in this category from the film (or look kind of silly) and this is the only new, original song in it.  Probably added explicitly for the purpose of getting nominated for this exact award.  This song could win – it’s got the star power and the promotion behind it, but my bet is safely on…

 

“Skyfall” from “Skyfall”

Music and Lyric by Adele Adkins and Paul Epworth

Awards shows love Adele.  They don’t just love her, they luuuuuuuuve her.  They want to marry her.  And not only do we have a big ol’ crush on Adele, we have a societal obligation to love James Bond films.  This was an amazing flick, with a perfect, old school sounding theme song.  It’s *almost* too obvious, but I think Adele is going to win it (as usual.)  It’s not so hard to imagine Adele going on to perform on Broadway at some point, where she’ll win a Tony.  Then just throw a television appearance or two into the mix, and Adele is certain to be the world’s next EGOT winner.

 

But before I get ahead of myself, let’s review.

Will win: “Skyfall”

Could win: “Suddenly”

Should win: “Skyfall”

Obviously I could be wrong about all of this, so feel free to speak up and share your predictions – plus your arguments for or against  – in the comments! Also make sure to check out the new Oscar Movie Music Station on Slacker Radio for more scores, themes and songs of the greatest cinematic masterpieces

Artist of the Week’s Florida Georgia Line are Country’s New Stars

Florida Georgia Line - Slacker's Artist of the WeekSlacker’s new Artist of the Week is Florida Georgia Line. The band is composed of two friends that met in college: Brian Kelley and Tyler Hubbard. Brian’s from Florida and Tyler’s from Georgia, hence the name. And when they meet in the middle, they make some of the biggest hits in Country music right now.

Even though they’ve been releasing their own music since 2010, this time last year the band didnt have a record deal and they were touring the country in a used SUV. Their first proper album “Here’s To The Good Times” came out 3 months ago, and they’ve already scored a number 1, Double Platinum song with “Cruise”. They’re also up for the “New Artist Of The Year” and “Vocal Duo of the Year” awards at this year’s Academy of Country Music awards. They’ve spent the last few months touring non-stop, and it was their fans’ response at the live shows that lead them to pick their new single, “Get Your Shine On”.

The band’s rise was so quick that they have the distinction of scoring a spot on both Slacker’s Top 50 Country Songs of 2012 countdown AND our Artists To Watch 2013 station.

The boys make feel-good Country- not unlike Jason Aldean or Eric Church- with an occasional hip hop twist. On their station you’ll hear their hits- like “Cruise”, their influences- like Jimmy Buffett and Garth Brooks- and music from their contemporaries like Jake Owen and Brantley Gilbert.

 

Listen Up. We’re Bringing Music Curation Back.

When I was a kid, pre-Internet, I had a love/hate relationship with the radio.
wnew radioI grew up in New York and in my teens WNEW-FM was my constant companion. WNEW positioned itself as the station “Where Rock Lives.”  Every song seemed perfectly picked, placed, and contextualized — it was music curation at its finest. Listening as a preteen, I discovered tons of new music, or at least artists who were new to me. Rock really did seem to live on that station. Its DJs were true hosts, turning song selection and the music experience into an art form I clung to every word that Jonathan Schwartz, Vin Scelsa, and Scott Muni uttered. After all, in a time before message boards or social media, these people were my friends –intimate friends who turned me on to Bruce Springsteen, the Grateful Dead, and Bob Dylan.

After a while, I became frustrated with WNEW-FM. I had discovered a whole new world, “Where Rock Lives,” and WNEW wasn’t playing very much of it anymore. I heard an occasional Ramones song, but where were the Sex Pistols, the Clash, the Jam, and Wire? WNEW was too busy playing Foreigner, Styx, and Journey.  Yuck, yuck, and yuck. (Ironically, I now have a custom-made Slacker station called The Bands I Hated in High School Kinda Sound Good to Me Now–but I’m getting ahead of myself here.)

Eventually I broke up with WNEW. The station had betrayed me.  There was only so much Foreigner I could take. It certainly was no longer the place where my rock lived. I abandoned the station and, as a result, I abandoned the radio.

Years later – Napster came onto the scene, which changed the music listening experience forever. All the world’s music was accessible with a click of a mouse. I loved Napster at first but soon grew uncomfortable with both its bad song results and lack of artist support.

Through the 2000s I drifted from service to service online. Rhapsody, Imeem, iTunes, eMusic…I tried them all. But somehow, despite the cool music platform that the Web had become, something was missing. Some days I found treasures, but most days it felt a bit cold, clinical Listening to music on these services was mostly clean and efficient, but it wasn’t all that entertaining, and it certainly wasn’t magical. These were algorithms and applications, not good friends and radio hosts, crafting my music experiences. The human element was missing.

For the first time in years, I found myself missing the old WNEW-FM.

Then, in 2011, I found Slacker.

Slacker LogoSlacker would have seemed like an impossible dream to the eighteen-year-old me. It worked everywhere. On my computer, on my phone, in my car. Best of all is the curation. At Slacker, I have more than 200 pre-programmed stations to choose from. Sure, there are the expected genre stations — Today’s Hits, New Hip Hop, Country, and an excellent slate of Alternative stations. But Slacker also digs really deep with Eclectic Rock, Great Songs You ForgotOld School R&B, and Grunge: 20 Years Later. These are thematic stations that terrestrial radio could never dream of.

With Slacker, I can access the biggest hits, or reinvent the concept of formats, on a daily basis. Only people who live and breathe music every day could come up with stations like Dive Bar Jukebox, Broken Heart Radio, or The 50 Most Embarrassing Facebook Songs. No algorithm in the world can put a music mix together like these stations.

With Slacker, I am able to follow hosts like Mat Bates and Scott Riggs, whose expert curation routinely blows me away.

I love Scott’s Indie Hits mix and I find Mat’s New Music First stations invaluable.  I really couldn’t live without The New 40, the Slacker station that plays the best 40 songs regardless of genre, each and every week.

Yet as good at turning me on to music as Mat and Scott are, I love being able to overrule them, to have more power than the DJ, to take a good station and make it better. I can fine-tune any station by tweaking the music mix based on related artists, song popularity, and song age. Fine-tune is an extremely cool feature. I can add sports from ESPN, news from ABC, and talk from American Public Media.

At Slacker, I have total control of a music library of more than 13 million songs. I can lean in and make custom playlists. I can lean back by simply typing a band or song name into the Search box and just let the music play.  For a guy who spent days as a kid making mixed tapes, this seems unbelievably fast, efficient, and wondrous.

Most important, at Slacker I feel like the human spirit of the old WNEW FM, and every great radio station from years past, lives and thrives, but within a new and innovative technological construct. Experts like Scott & Mat make superb stations – they are bringing music curation back. The technology platform makes everything easier, better and more customizable.

So go ahead, poke around, play a station, or enter a song. It’s up to you; the jigsaw jazz and get-fresh flow are here right now. Slacker is where it’s at–all you have to do is Listen Up.

Grammy Winner fun. Debut New Artist of the Week

fun. bandSlacker’s new Artist Of The Week is New York based indie pop group fun.

It’s a bit ironic for the trio to have won the Best New Artist award at this year’s Grammys, as they joked throughout the ceremony, they are not actually “young” any more. In fact, the band is the product of 12 years of work as artists. Nate was in a band from Phoenix called the Format for many years, Jack was in a pop-emo band from New Jersey called Steel Train, and Andrew was in a band from Michigan called Anathallo.

It’s also notable that “Some Nights” is actually their second album, preceded by 2009’s “Aim and Ignite”. After going through the music business ringer, with several label deals and prior band breakups behind them, the members moved to New York City and went back to the drawing board. The result of their creation and collaborating is fun. (fun with a period) – the band that took home 3 Grammys this year, including song of the year in addition to their best new artist nod.

On the origins of fun., Nate told Interview magazine “I had always kept note that those were the two people that if anything ever happened… maybe I could see the writing on the wall, or something like that. As soon as that became a possibility, I just called them up right away. I asked if there was something we can do. Next thing I knew, I found myself in New Jersey a week later.”

Their music has been given the Glee treatment (twice) and their mixture of theatric baroque pop and hip-hop influence has won over fans of musical theater and pop music alike.

We are debuting a new Artist of the Week station here at Slacker. On the station this week, youll hear the band fun., their previous projects like The Format and Steel Train, artists they were influenced by, and hits from their contemporaries.

1 81 82 83 84